OPEN SPACE

……………………………………………………………"That bottle keeps its blink on its side red from horizon." Clark Coolidge………………………………..

Of the dozen or so art blogs I know of, Vvork is the one I most frequently recommend and regularly visit. It has become a familiar resource, a routine stop for informal research. Vvork is curated/edited by a team of four (spread across three cities) who “think of the site as an exhibition space…updated daily.” It mimics a physical  exhibition venue in that it collects and displays artworks accompanied only by title, year, artist (like labels in a gallery) and a link to related websites for additional/interpretive text about the artist. It’s different from a gallery exhibition in that there is no fixed ending or spatial limits, only a series of beginnings with entries that stretch back into time. “A logical consequence of this claim [that Vvork is an exhibition space rather than a blog] is that the artworks shown are not reproductions but legitimate experiences.” (see Malraux’s Museum Without Walls via Crimp)

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• Columnists

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3d blog, Archives, Blogs, Collection, Germany, library, Luis Jacob, Museum Without Walls, Trevor Paglen

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[Alongside our weekly in-gallery curator "One on One" talks, we post regular ‘one on one' bits from curators & staff on a particular work or exhibition they're interested in. Today's post is from assistant curator of painting and sculpture Apsara DiQuinzio.]

Andrea Zittel, A to Z 1995 Travel Trailer Unit. Customized by Andrea Zittel and Charlie White, 1995; © Andrea Zittel

I have a growing obsession for the desert; perhaps it is not even so much about the desert as it is about how art can activate it, both as a place and as a concept. This interest was set in motion while I was doing research on Mai-Thu Perret last summer. The genesis of her project involves a story she wrote called The Crystal Frontier, about a group of young women who abandon their rote, urban lives to form a utopian community in the desert of New Mexico they call New Ponderosa Year Zero. They do this to escape the constraints of capitalism in a phallocentric West. Shortly thereafter, I went to visit Walter De Maria’s The Lightning Field from 1977 (an earthwork that informs Mai-Thu’s ideas) located very close to Ponderosa, New Mexico. There I witnessed how De Maria’s work yields to the sublime, shifting light of the desert and I listened to its engulfing silence. And dare I say it, I also carelessly swung around the stainless steel poles De Maria planted into the dry, crackling New Mexico earth to solicit lightening storms. During my brief stay I was hoping to catch a glimpse of a New Mexican Whiptail—an all-female species of lizard, indigenous to New Mexico and Arizona, that procreates parthenogenetically, laying complete female eggs. But, alas, I saw none. (more…)

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• One on One

Tags:

Aldous Huxley, Andrea Zittel, Apsara DiQuinzio, desert earth, Mai-Thu Perret, Trevor Paglen, Walter de Maria

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