Posts Tagged ‘Chris Perez’

Safe Word Posted on August 12, 2009 by Kevin Killian

Climbing the Walls

Chris Perez at Ratio 3 on Stevenson Street in San Francisco crafted the perfect summer show out of unwieldy materials—I’m glad I caught “Safe Word” before the controversial exhibit came down this past weekend. It’s not only that the subject was porn that made the show so difficult, but the particular fetish sort of porn it meditated on is always divisive and often combustible.

Built Hard

It was one of those shows that, I guess, just had to happen, ever since the extreme bondage studio Kink.com took over the San Francisco Armory around the corner from Ratio 3 on Mission and 14th. This Mission landmark has puzzled plenty for ages—a vast, cheerless ziggurat of a building, it hailed from an age in which people were seriously worried about getting the shit blown out of them by enemy bombs, or perhaps invasion of the sort that would call for a huge arms depository right smack in the middle of what was then a white collar Irish neighborhood. You look at the building and you feel a little quake of fear—atavistic perhaps. On my way to Ratio 3 this weekend I took some photos of its forbidding surface. It is like the castle of Saruman in Isengard in The Lord of the Rings! (more…)

“The Lost Kinetic World” Posted on May 27, 2009 by Kevin Killian

Sam Gordon scrapbook

San Franciscans have but a few days to scurry down to Ratio 3 on Stevenson Street, there to check out “Liberation Upon Contact,” new work by gallery artists including Jose Alvarez, Sam Gordon, Jordan Kantor, Ruth Laskey, Barry McGee, Mitzi Pederson, Ara Peterson, and Jonathan Runcio. (Show closes May 30.) For those of you who have never been there, Ratio 3 and its director, debonair, saturnine Chris Perez, ”bring vastness to the mind.” That’s their slogan, and I always wince when I hear it first, then I think a little, forced to acquiesce.

A year ago I got a package in the mail with a few DVDs in it, each one an excerpt from Sam Gordon’s project “The Lost Kinetic World,” a 24 hour video montage of his wanderings through the art world. I scanned the accompanying press materials and was surprised to see myself listed among the hundreds of art figures appearing in the film. Dodie Bellamy too. She was on disk 4 and I was on disk 9 or something like that. Naturally we were curious to see what we were doing! The instinct was to fast forward through all the other chazzerai and find ourselves, and yet the rhythm and the fantastic juxtapositions of the material slowed us right down, and we wound up watching for hours. In New York last week I went to visit Sam Gordon in his studio and find out more about the man who had made us immortal with his roving eye. (more…)