<?xml version="1.0" encoding="UTF-8"?><rss
version="2.0"
xmlns:content="http://purl.org/rss/1.0/modules/content/"
xmlns:dc="http://purl.org/dc/elements/1.1/"
xmlns:atom="http://www.w3.org/2005/Atom"
xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
> <channel><title>Comments on: One More Tweet Before I Die</title> <atom:link href="http://blog.sfmoma.org/2011/02/one-more-tweet-before-i-die/feed/" rel="self" type="application/rss+xml" /><link>http://blog.sfmoma.org/2011/02/one-more-tweet-before-i-die/</link> <description></description> <lastBuildDate>Wed, 19 Jun 2013 09:08:14 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.5.1</generator> <item><title>By: Chris Cobb</title><link>http://blog.sfmoma.org/2011/02/one-more-tweet-before-i-die/comment-page-1/#comment-106027</link> <dc:creator>Chris Cobb</dc:creator> <pubDate>Tue, 22 Mar 2011 02:15:07 +0000</pubDate> <guid
isPermaLink="false">http://blog.sfmoma.org/?p=24036#comment-106027</guid> <description><![CDATA[For what it&#039;s worth, photography is a very complex field and photographs tend to fulfill completely different obligations depending on their context. An art photograph is related to a documentary photograph and they are both related to home videos or polaroid instant pictures. Like the written word, they are all expressions of something. Just like a single word like &quot;yes&quot; or &quot;no&quot; can have tremendous meaning in our lives, a simple image of something can also have great power.]]></description> <content:encoded><![CDATA[<p>For what it&#8217;s worth, photography is a very complex field and photographs tend to fulfill completely different obligations depending on their context. An art photograph is related to a documentary photograph and they are both related to home videos or polaroid instant pictures. Like the written word, they are all expressions of something. Just like a single word like &#8220;yes&#8221; or &#8220;no&#8221; can have tremendous meaning in our lives, a simple image of something can also have great power.</p> ]]></content:encoded> </item> <item><title>By: Ariel Goldberg</title><link>http://blog.sfmoma.org/2011/02/one-more-tweet-before-i-die/comment-page-1/#comment-99432</link> <dc:creator>Ariel Goldberg</dc:creator> <pubDate>Thu, 10 Feb 2011 21:33:47 +0000</pubDate> <guid
isPermaLink="false">http://blog.sfmoma.org/?p=24036#comment-99432</guid> <description><![CDATA[I cannot pretend to assume there is any surprise in the power that a citizen journalist photograph possesses. The picture that comes from a person present, with the electronics, is hardly associated with the photographer’s name to the people who see and share that picture from the place where the revolution is or is not happening. And while the cops can still track these citizen journalists down, I wonder what is happening to our shift in expectation from this unofficial photographer?Considering the rapid democratization of photography, I would disagree that &quot;No one ever thinks they will get killed for using Twitter. Or beaten for taking a photograph.&quot; I’m constantly trying to specify photography and overwhelmed by thoughts of the capital P photographers all over the world who are suspect to authorities. There are those censored as embeds, moneyed with guards and translators, or in terrible danger as a native and a reporter in the war zone. And since fast exposure of an event trumps professional skills, why should we not think citizen journalists are sharing the risks of all the people who call themselves photographers?For the sake of comparison, what about a photograph hanging in a museum--is that less risky? I think about how the Culture Wars to Hide/Seek have shown queer artists getting &quot;beaten.&quot; Can we splice how we perceive a harmless and then a significant photo? I’m thinking now of the mother in Yerba Buena Gardens, who I saw yesterday taking a picture on her iphone of her kid playing with the water in the fountain, both looking like they were about to fall in.]]></description> <content:encoded><![CDATA[<p>I cannot pretend to assume there is any surprise in the power that a citizen journalist photograph possesses. The picture that comes from a person present, with the electronics, is hardly associated with the photographer’s name to the people who see and share that picture from the place where the revolution is or is not happening. And while the cops can still track these citizen journalists down, I wonder what is happening to our shift in expectation from this unofficial photographer?</p><p>Considering the rapid democratization of photography, I would disagree that &#8220;No one ever thinks they will get killed for using Twitter. Or beaten for taking a photograph.&#8221; I’m constantly trying to specify photography and overwhelmed by thoughts of the capital P photographers all over the world who are suspect to authorities. There are those censored as embeds, moneyed with guards and translators, or in terrible danger as a native and a reporter in the war zone. And since fast exposure of an event trumps professional skills, why should we not think citizen journalists are sharing the risks of all the people who call themselves photographers?</p><p>For the sake of comparison, what about a photograph hanging in a museum&#8211;is that less risky? I think about how the Culture Wars to Hide/Seek have shown queer artists getting &#8220;beaten.&#8221; Can we splice how we perceive a harmless and then a significant photo? I’m thinking now of the mother in Yerba Buena Gardens, who I saw yesterday taking a picture on her iphone of her kid playing with the water in the fountain, both looking like they were about to fall in.</p> ]]></content:encoded> </item> </channel> </rss>