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	<title>Comments on: Dominic Willsdon: Things Will Have to Change</title>
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		<title>By: seo for small business</title>
		<link>http://blog.sfmoma.org/2011/01/tmtc-willsdon/comment-page-1/#comment-136820</link>
		<dc:creator>seo for small business</dc:creator>
		<pubDate>Wed, 25 Jan 2012 02:22:10 +0000</pubDate>
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		<description><![CDATA[Hey there! I know this is kinda off topic but I was wondering which blog platform are you using for this website? I&#039;m getting fed up of Wordpress because I&#039;ve had issues with hackers and I&#039;m looking at options for another platform. I would be fantastic if you could point me in the direction of a good platform.]]></description>
		<content:encoded><![CDATA[<p>Hey there! I know this is kinda off topic but I was wondering which blog platform are you using for this website? I&#8217;m getting fed up of WordPress because I&#8217;ve had issues with hackers and I&#8217;m looking at options for another platform. I would be fantastic if you could point me in the direction of a good platform.</p>
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		<title>By: Meg Shiffler</title>
		<link>http://blog.sfmoma.org/2011/01/tmtc-willsdon/comment-page-1/#comment-94339</link>
		<dc:creator>Meg Shiffler</dc:creator>
		<pubDate>Mon, 17 Jan 2011 18:26:45 +0000</pubDate>
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		<description><![CDATA[I really like the new rehang. That Tacida Dean tree kills me - it&#039;s so beautiful and angry at the same time. Dominic&#039;s wall text is by far the most straightforward and thought provoking in the lot. His writing style for this particular purpose is unlike most wall text in that it reveals process and speaks in a non-patronizing way to the visitor. And most importantly it addresses the fact that to be scholarly, or try to make sense of the contemporary is often a messy, flawed and gloriously risky business (okay, those are my words). It is this exhilarating proposition that keeps those of us committed to a dialogue centered on the contemporary continuously experimenting and challenging the public to make their own sense of what they see. To not tie things up in a neat little bow, and let the public know that you&#039;ve left the ends undone in a sense, is to invite them into the dialogue. Good for you SFMOMA and Dominic for admitting this important aspect of our work as contemporary art curators working for institutions large and small.]]></description>
		<content:encoded><![CDATA[<p>I really like the new rehang. That Tacida Dean tree kills me &#8211; it&#8217;s so beautiful and angry at the same time. Dominic&#8217;s wall text is by far the most straightforward and thought provoking in the lot. His writing style for this particular purpose is unlike most wall text in that it reveals process and speaks in a non-patronizing way to the visitor. And most importantly it addresses the fact that to be scholarly, or try to make sense of the contemporary is often a messy, flawed and gloriously risky business (okay, those are my words). It is this exhilarating proposition that keeps those of us committed to a dialogue centered on the contemporary continuously experimenting and challenging the public to make their own sense of what they see. To not tie things up in a neat little bow, and let the public know that you&#8217;ve left the ends undone in a sense, is to invite them into the dialogue. Good for you SFMOMA and Dominic for admitting this important aspect of our work as contemporary art curators working for institutions large and small.</p>
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