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	<title>Comments on: 75 Reasons to Live: Iain Boal on Elaine Mayes</title>
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		<title>By: Elaine Mayes</title>
		<link>http://blog.sfmoma.org/2010/08/75-reasons-iain-boal/comment-page-1/#comment-105819</link>
		<dc:creator>Elaine Mayes</dc:creator>
		<pubDate>Tue, 08 Mar 2011 20:40:59 +0000</pubDate>
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		<description><![CDATA[It is interesting to hear Iain Boal&#039;s commentary about my photograph. Although his speculations are provocative and apt, the subjects actually lived nearby.  The image is from a series I made in 1967 and primarily 1968.  I began this series as a reaction to the photojournalistic and sensationalized images of the Haight that were being presented by the press.  I too was a member of the press at that time, living in the Haight and encountering the situation there on a daily basis, but I wanted to show a more &#039;real&#039; and substantial vision of that particular time and place.  Instead of a story-telling approach I used what I call a conceptual documentary approach, wherein through repetition of similar pictures, an idea of the whole could be constructed.  This meant that the images were made to be seen as part of a group that would represent the whole, but I wanted each picture to stand on its own as well. I wanted to show the Haight for what it was rather than what it represented.  My original title for the series was, &quot;We Are the Haight Ashbury.&quot;]]></description>
		<content:encoded><![CDATA[<p>It is interesting to hear Iain Boal&#8217;s commentary about my photograph. Although his speculations are provocative and apt, the subjects actually lived nearby.  The image is from a series I made in 1967 and primarily 1968.  I began this series as a reaction to the photojournalistic and sensationalized images of the Haight that were being presented by the press.  I too was a member of the press at that time, living in the Haight and encountering the situation there on a daily basis, but I wanted to show a more &#8216;real&#8217; and substantial vision of that particular time and place.  Instead of a story-telling approach I used what I call a conceptual documentary approach, wherein through repetition of similar pictures, an idea of the whole could be constructed.  This meant that the images were made to be seen as part of a group that would represent the whole, but I wanted each picture to stand on its own as well. I wanted to show the Haight for what it was rather than what it represented.  My original title for the series was, &#8220;We Are the Haight Ashbury.&#8221;</p>
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