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	<title>Comments on: Desert Obsessions: Apsara DiQuinzio on Utah earthworks</title>
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	<link>http://blog.sfmoma.org/2009/11/adqdesert-obsessions/</link>
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	<lastBuildDate>Sat, 18 May 2013 06:15:16 +0000</lastBuildDate>
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		<title>By: adq</title>
		<link>http://blog.sfmoma.org/2009/11/adqdesert-obsessions/comment-page-1/#comment-31603</link>
		<dc:creator>adq</dc:creator>
		<pubDate>Wed, 18 Nov 2009 18:17:36 +0000</pubDate>
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		<description><![CDATA[Randy Kennedy wrote a nice piece in today&#039;s New York Times that addresses many of the issues concerning the preservation of the site/work. For further reference see: http://www.nytimes.com/2009/11/18/arts/design/18spiral.html?ref=arts]]></description>
		<content:encoded><![CDATA[<p>Randy Kennedy wrote a nice piece in today&#8217;s New York Times that addresses many of the issues concerning the preservation of the site/work. For further reference see: <a href="http://www.nytimes.com/2009/11/18/arts/design/18spiral.html?ref=arts" rel="nofollow">http://www.nytimes.com/2009/11/18/arts/design/18spiral.html?ref=arts</a></p>
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		<title>By: Bruno</title>
		<link>http://blog.sfmoma.org/2009/11/adqdesert-obsessions/comment-page-1/#comment-29242</link>
		<dc:creator>Bruno</dc:creator>
		<pubDate>Mon, 02 Nov 2009 22:10:52 +0000</pubDate>
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		<description><![CDATA[So evocative of place and work.  I grew up in a desert where bullet-ridden road-signs were the norm (not the exception).  They have new meaning now thanks to this pairing with the sun-tunnels.]]></description>
		<content:encoded><![CDATA[<p>So evocative of place and work.  I grew up in a desert where bullet-ridden road-signs were the norm (not the exception).  They have new meaning now thanks to this pairing with the sun-tunnels.</p>
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