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	<title>Comments on: Balderdash/Bedwetting</title>
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		<title>By: Brent Cunningham</title>
		<link>http://blog.sfmoma.org/2008/06/balderdashbedwetting/comment-page-1/#comment-289</link>
		<dc:creator>Brent Cunningham</dc:creator>
		<pubDate>Thu, 12 Jun 2008 17:46:33 +0000</pubDate>
		<guid isPermaLink="false">http://blog.sfmoma.org/?p=277#comment-289</guid>
		<description><![CDATA[Oh how I wish I could be there falling asleep with you all!  

At the risk of confessing to a lowbrow lifestyle, I thought of your group project while watching 30 Rock the other night.  The Alec Baldwin character, Jack Donaghy, is in his office watching black-and-white footage of 1930s-style workers on an assembly line at a tire factory.  A voice-over in a German accent says flatly: &quot;The machine is mankind&#039;s madness and disfigurement.  Industry castrates Art.&quot;  Jack turns to his assistant and says: &quot;Turn it off, I can&#039;t watch anymore of these German sitcoms.&quot;]]></description>
		<content:encoded><![CDATA[<p>Oh how I wish I could be there falling asleep with you all!  </p>
<p>At the risk of confessing to a lowbrow lifestyle, I thought of your group project while watching 30 Rock the other night.  The Alec Baldwin character, Jack Donaghy, is in his office watching black-and-white footage of 1930s-style workers on an assembly line at a tire factory.  A voice-over in a German accent says flatly: &#8220;The machine is mankind&#8217;s madness and disfigurement.  Industry castrates Art.&#8221;  Jack turns to his assistant and says: &#8220;Turn it off, I can&#8217;t watch anymore of these German sitcoms.&#8221;</p>
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		<title>By: Dominic</title>
		<link>http://blog.sfmoma.org/2008/06/balderdashbedwetting/comment-page-1/#comment-282</link>
		<dc:creator>Dominic</dc:creator>
		<pubDate>Wed, 11 Jun 2008 16:01:18 +0000</pubDate>
		<guid isPermaLink="false">http://blog.sfmoma.org/?p=277#comment-282</guid>
		<description><![CDATA[I think that when it first came to US theaters in the 80s, it was sometimes screened in one go, from 7pm till lunchtime the following day.  I quite like the idea of that, mainly just for the sense of event.  Obviously it was originally meant to be shown one hour a week for three months.  That builds expectation and discussion between episodes -- the way mini-series do, or used to -- but only first time around.  This time, Susan Oxtoby, at the PFA, and I decided to show it in different ways so as to give people more options.]]></description>
		<content:encoded><![CDATA[<p>I think that when it first came to US theaters in the 80s, it was sometimes screened in one go, from 7pm till lunchtime the following day.  I quite like the idea of that, mainly just for the sense of event.  Obviously it was originally meant to be shown one hour a week for three months.  That builds expectation and discussion between episodes &#8212; the way mini-series do, or used to &#8212; but only first time around.  This time, Susan Oxtoby, at the PFA, and I decided to show it in different ways so as to give people more options.</p>
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		<title>By: Fabrizio</title>
		<link>http://blog.sfmoma.org/2008/06/balderdashbedwetting/comment-page-1/#comment-276</link>
		<dc:creator>Fabrizio</dc:creator>
		<pubDate>Tue, 10 Jun 2008 23:27:36 +0000</pubDate>
		<guid isPermaLink="false">http://blog.sfmoma.org/?p=277#comment-276</guid>
		<description><![CDATA[I&#039;m on the other side.  Wishing the entire thing were being shown in two days, or as PFA is doing, on 4 consecutive nights.
Marathons do not dilute so well.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;m on the other side.  Wishing the entire thing were being shown in two days, or as PFA is doing, on 4 consecutive nights.<br />
Marathons do not dilute so well.</p>
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